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Quick Links. Table of Contents. Previous Page. Next Page. Page 2 The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorpo- rated. Page 3: Table Of Contents Page 4 Chapter 7: Applying effects Shared effects controls Page 5 Chapter Saving and exporting Saving and exporting files Activate the software If you have a single-user retail license for your Adobe software, you will be asked to activate your software; this is a simple, anonymous process that you must complete within 30 days of starting the software.

Page 7: Resources Adobe publishing partners. Extras You have access to a wide variety of resources that help you make the most of your Adobe software. Some of these resources are installed on your computer during the setup process; additional helpful samples and documents are included on the installation or content disc. Page 8: Adobe Design Center On the installation disc, the Documentation folder contains a PDF version of Help, technical information, and other documents such as reference guides and specialized feature information.

This disc provides thousands of royalty-free loops, plus ready-made music beds and professional sample sessions. Click the Training link for access to Adobe Press books, a variety of training resources, Adobe software certification programs, and more.

Page New Features Adobe Labs fosters a collaborative software development process. In this environment, customers quickly become productive with new products and technologies. Adobe Labs is also a forum for early feedback, which the Adobe development teams use to create software that meets the needs and expectations of the community.

Edit and master Adobe Audition 3. Comprehensive waveform-editing tools combined with innovative spectral frequency brushes let you edit with power and precision.

Visually adjust the stereo field to enhance spatial perception. Page Chapter 2: Digital Audio Fundamentals Chapter 2: Digital audio fundamentals Understanding sound Sound fundamentals Sound starts with vibrations in the air, like those produced by guitar strings, vocal cords, or speaker cones. These vibrations push nearby air molecules together, raising the air pressure slightly. The air molecules under pressure then push on the air molecules surrounding them, which push on the next set of molecules, and so on.

Wavelength B. Degree of phase C. Amplitude D. One second How sound waves interact When two or more sound waves meet, they add to and subtract from each other. Analog audio: positive and negative voltage A microphone converts the pressure waves of sound into voltage changes in a wire: high pressure becomes positive voltage, and low pressure becomes negative voltage.

Page 17 Adobe Audition stores each sample in sequence until you stop recording. When you play a file in Adobe Audition, the process happens in reverse. Adobe Audition sends a series of digital samples to the sound card. The card reconstructs the original waveform and sends it as an analog signal through Line Out ports to your speakers.

Page Chapter 3: Workflow And Workspace With the integrated environment of Adobe Audition, you can move seamlessly between these views, simultaneously editing and mixing files to create polished, professional audio. This integrated environment extends to Adobe video applications, where you can easily incorporate Adobe Audition into comprehensive video-editing workflows.

To create a sonic collage, combine pasted audio from multiple files. Then, select noise or other audio you want to process with effects. When you create a new session, you specify the sample rate for audio clips the session will contain.

In Multitrack View, edits are impermanent for maximum flexibility. But if you want to permanently edit a clip, simply double-click it to enter Edit View.

As you build more complex mixes, combine related tracks in buses, and use sends to output individual tracks to multiple destinations. However, all three views have similar basic components, such as view buttons, the Main panel, and the status bar.

Page 25 For example, you can zoom in to see details in an audio file or multitrack session, or you can zoom out to get an overview.

Adobe Audition provides several ways to zoom. You can either click buttons in the Zoom panel, or drag scroll bars and rulers. Click buttons in Zoom panel B.

Drag scroll bars C. This sets the position of the scroll bar for only the current view Edit View or Multitrack View. Page Customizing Workspaces As you rearrange panels, the other panels resize automatically to fit the window.

You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors. Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Dragging panel A onto docking zone B to dock it C Grouping zones Grouping zones exist in the middle of a panel or group, and along the tab area of panels.

Page 30 When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications.

Do not press Shift. Press the tilde key again to return the panel to its original size. You can show or hide the status bar and select which types of information appear there. Page 33 This value is shown as minutes, seconds, and thousandths of seconds. For example, if Adobe Audition is set to record 8-bit mono audio at 11, kHz, the time remaining might read Change the recording options to bit stereo at 44, kHz, and the time remaining becomes Page Managing Workspaces Managing workspaces Choose a workspace Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for specific tasks.

To store a specific layout more permanently, save a custom workspace. Saved custom workspaces appear in the Workspace menu, where you can return to and reset them. Sound card inputs let you bring in audio from sources such as microphones, tape decks, and digital effects units.

Sound card outputs let you monitor audio through sources such as speakers and headphones. Page 37 For more information, consult the documentation for the sound card.

If a change requires you to quit and restart Adobe Audition, you are prompted to do so. For example, you need to quit and restart Adobe Audition when you set up a different temporary folder. Page System Preferences System preferences In the Preferences dialog box, click the System tab to configure how Adobe Audition interacts with your system: Determines the amount of memory that Adobe Audition reserves for processing data.

Usually, after you finish with an Adobe Audition session, these clipboard files are no longer needed and just take up space. Page Display Preferences Specifies the number of vertical bands used in drawing frequencies. The larger this number, the longer Resolution it takes for Adobe Audition to render the spectral display. Performance varies according to the speed of your computer. Page Data Preferences Data preferences In the Preferences dialog box, click the Data tab to control how Adobe Audition handles audio data: Converts all 8-bit and bit data to bit when a file is opened.

When selected, Adobe Audition leaves the effect applied to all data processed up until the point you clicked Cancel. When deselected, Adobe Audition automatically removes the effect on already processed data when you click Cancel.

Page 44 Enables smooth scrolling when playing back audio in Multitrack View. This saves on system resources. These devices let you edit audio tracks using real knobs and automated faders, instead of your mouse and computer keyboard. Page Managing Temporary Files Managing temporary files About temporary files When you edit a file, Adobe Audition copies the audio data into a temporary file for internal use.

This process allows for quicker editing, better handling of large files, and the ability to undo changes. This option is useful only if the dialog box automatically appeared because you ran out of storage space.

If Adobe Audition crashes, there may be a temp file audxxxx. The bit level is best while you work Resolution in Adobe Audition. You can convert down for output later, if necessary. Page 49 Shift-click the last. To select multiple, nonadjacent files, Ctrl-click them. Note: If the selected audio files have a different sample rate, resolution, or channel type than the open audio file, Adobe Audition converts the selected files to match the open file.

For the best results, append files with the same sample type as the original audio file. Page 50 High resolution is recommended if the bitmap image is an exported spectral graph that you modified in an image-editing application such as Adobe Photoshop.

Returns all settings to the defaults, which are best for importing to a new file. If you attempt to import files with different sample rates, Adobe Audition prompts you to resample them, which may lower audio quality.

Optional Select Use Default Session to use that session as a template. Page 52 Set or clear a default session After you set a default session, it opens whenever you start Adobe Audition. This default can also serve as a template for new sessions, letting you share settings, such as track inputs and volume levels, across multiple sessions.

Adobe Audition inserts an audio clip at the designated start time. Click the Broadcast Wave tab. Digital extraction also known as ripping is the recommended method because it produces higher-quality audio than internal recording.